The origin of jade carving - totem

The Chinese nation is a nation that advocates jade and possesses a unique jade culture in the world. Since ancient times, people have regarded jade as the gas of the heavens and the earth, and the sacred objects of the essence of the sun and the moon are the medium of communication between the heavens and the humans. They are the things that can bring good luck to the wearer, ward off evil and disease, and transfer blessings; clan After the emergence of the tribe, ancient humans produced class consciousness, and the beautiful jade that had been carefully polished and polished became the exclusive head of the tribe, and also became a symbol of identity and status.

Imagine that when the ancestors polished the beautiful "stones" of the color, they made a meaningful shape, drilled a small hole, and even put on their own small rope. On the neck or hanging on the chest, this is a beautiful and moving scene, which shows that the ancients have already pursued the pursuit of beauty, which marks the belief and sustenance in the human mind. The beauty of jade, bearing the heavens and the things, is closely related to the ancestors of the ancient ancestors' thoughts, the supreme natural power, and the concept of the greatest ghosts. This shows that in the imagination of ancient humans, a piece of jade has an inexhaust connection and influence on the Quartet of Heaven and Earth, the ancestors of the ancestors, the thunder of lightning, and the beings of all things.

In primitive beliefs, totems are symbols and symbols of their relatives, ancestors, and protectors. The ancestors carved out various patterns such as birds and beasts on the jade, wore them to wear them, in order to obtain the protection and blessings of their ancestors and gods, and even bless them to the world after death. Among the burial objects of the tombs unearthed today, a large number of exquisite jade ornaments and jade articles can be found, indicating that people's worship of jade has run through the entire life cycle, from birth to death, with death and birth.

Until the Han Dynasty, the jade ornament re-emerged with new vitality, and the system's decorative lines and theme lines appeared. The ornamentation of many jade ornaments continues the style of the warring States jade, and animal patterns and cloud water patterns have a special use. Common decorative patterns in the Han Dynasty include grain, peg, persimmon, moiré, vortex, dragon, crepe, bird and animal face, rope, mesh, etc.; the theme is generally dragon, phoenix, Kirin, 夔 and other beasts are the mainstays, and the theme of Longfeng Chengxiang, Xiaolong Arch, and Qilin Spit Book is enduring.

In the middle of the Tang Dynasty, the image of Buddhism often appeared in the theme of jade carving. Although the Central Plains area was not introduced to jade, mainly some local jade, the theme of Buddha and Guanyin was well passed down to the present. Because the feudal ruling class imprisoned the people's thoughts, the theme of jade carving in the Qing Dynasty basically promoted the beauty of God, and without innovation, combined with the rarity of jade, the jade of the Qing Dynasty almost became the exclusive of the royal family and the nobility, and it was marked by a deep class. brand. Jade ornaments often describe the contents of the promotion and fortune, such as Lianzhong Sanyuan, Wuzi Dengke, and official officials.

With the development of the times, Western culture has entered the Central Plains region and blended with traditional culture. Based on the preservation of traditional styles and themes, the jade carvings incorporate the engravings of many Western cultural connotations. Because these elements are focused on realism, nature, and individuality without being rational, they become a refreshing choice. In the life of people, jade also appeared in the prosperity of the old Wang Xietang former Yan, flying into the homes of ordinary people. Jade is no longer only a symbol of the status and power of the royal family, but a return to the original belief and beauty, representing the public's pursuit and desire for good things.

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