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India, a sacred country born of the Ganges River, has a fascinating architecture, charming dancers and a profound cultural heritage. The people born on this land have a persistent pursuit of beauty, beautiful sari, oriental charm architecture, unique myths and totems, and unique jewellery crafts, making India a master of Western jewellery design. The source of inspiration for creation.
Indian style that infects Western design
India is a country that travels on jewellery. The rich gemstone mineral resources and long-distance Buddhist culture attract the attention of a large number of European jewelers. From the end of the 19th century, India's rich gemstone deposits still attract many people despite the inconvenient transportation. Western jewelers are in a constant stream, Delhi, Mumbai, Kolkata... They have traveled almost all over India.
In the 1930s, Van Cleef & Arpels' business was taken over by the second generation of the Albemarle family, and Claude, Jacques and Pierre continued the family's pursuit of extraordinary gemstones. The Albemarle brothers have a heartfelt enthusiasm for the gems, and they are full of curiosity and yearning for the exotic culture. Claude Albemarle was so happy that he traveled, and the media even called it "the king of diamonds in Mumbai" and "friend of the Grand Duke of India." He has visited India more than ten times to carry out the "gem hunting tour" he described.
Boucheron and India have a long history of inspirational and fascinating magical places. Since Louis Boucheron (the son of the founder Federek·Bao Shilong) first set foot on the land of India in 1909, its colorful, vibrant cultural heritage, magnificent palace buildings and splendid towns The landscape has inspired the creation of Bao Shilong. It was in India that Louis Bauschron won the Kashmir egg-cut sapphire, which not only became a lucky charm for his life, but also inspired the jeweler and became a brand-name icon.
In addition to the luxurious and colorful design style, India also has great differences in the use and cutting of gems with Western jewellery. The characteristic enamel and gemstone polishing and engraving process directly affect the western jewellery fashion at that time. In addition to drawing inspiration from India, more jewellery brands are invited directly from India to jewellery masters to design. Mr. Ambaj Sinde, a jewellery designer like Harry Winston, was born in a family of Indian artists. He has been responsible for the high-end jewellery worn by the nobles of the Indian state and the royal family for generations. More or less with Indian elements.
Luxury order from the landlord
The Indian landowners had an amazing wealth. In the early 20th century, Indian monarchs who loved to travel in the West began to customize jewelry directly to the then crafted Western jewelry brands.
The legend of the Patiala necklace can be used to write a book. Initially, its owner was Maharaja Sir Bhupindar Singh, the native of India. In the 1920s, the landlord who traveled in Europe found Cartier and asked for a star-studded giant necklace. In 1928, the necklace was finished and became the classic of Cartier: the necklace is set with 2,930 diamonds and the total weight is 962.25 carats. There are five diamond-studded chains with diamonds. The design of the chain is gorgeous and full of artistic sense. The seven giant diamonds are set in the center and weigh from 18 carats to 73 carats.
Inlaid on the diamond pendant is a giant yellow diamond weighing 234.69 carats, which is the seventh largest diamond in the world. In addition, the necklace is also set with an 18-carat light brown diamond and two rubies weighing 29.58 carats, making the whole necklace more eye-catching and radiant. After the death of the Tubang Lord, the Patiala necklace has been twisted and twisted, and I don’t know where to go. More than half a century later, this necklace reappeared in London but was incomplete. Cartier's jewelers followed the style of the time, replacing the lost giant diamond with other gems, and letting this necklace return to people's vision.
The Lord of Vadodara is known as the "Duchess of Windsor of India". Her personal jewellery collection is more than 300 pieces. Every time she goes to Paris, she always brings servants and a few boxes of gems to find jewelers to customize jewelry. She commissioned Van Cleef & Arpels to transform the gemstones of the crown of the Grand Duke of Baroda into fashionable jewelry.
Born in Mumbai in 1862, Dhunjibhoy Bomandji was a ship giant. In 1922, he came to London's Cartier store with 859 diamonds. The craftsmen selected 831 diamonds and specially customized a unique Bazuband arm chain. The shape of this chain pendant is originally derived from the traditional bracelet of the Mughal dynasty (16th to 19th centuries) and can be worn by both men and women. The Bazuband arm chain consists of a hinged central sheet that fits the arm and three leaf-shaped detachable parts that are connected in series by a large metal ring with diamonds.
In 1928, another state lord (Maharajah of Patiala) made an unprecedented order to Boucheron. He chose Boucheron from the many jewelers in Fontaine Square and personally went to The visit includes its precious jewels, including precious white, yellow and blue diamonds, including countless pearls including rare varieties of gray pearls. A total of 1,432 emeralds are unseen, with a total weight of 7,800. carat. Later there were sapphires and rubies. The state has placed orders for 149 works on the Bao Shilong brand.
Like a sari
Indian-style jewellery always finds the direction of creation from the things that Indians love. The sari of the Indian women's favorite clothing, its magnificent color and the delicate patterns embroidered on it, are also used in the design of jewelry. Some people say that "color is life", and one of the most striking features of Indian-style jewellery is the use of traditional Indian sari, which is representative of pink peach and fresh orange. This color is also typical. "Indian color." Ruby, emerald, sapphire, garnet, tourmaline... Indian jewelry's strong contrast color creates its unique style password.
The love of pendants is one of the usual features of Indian style jewelry. In India, you will find that many women have pendants that move with them. Whether they are bracelets, necklaces or anklets, they are full of pendants. Perhaps these swaying pendants make Indian women more enchanting and full of style. . Throughout a history of Indian jewellery, it presents the grandeur and dignity of an ancient cultural country. From large swaying drop earrings to thick gold bracelets, bold and enlarged classic symbols, the Indian jewelry is luxurious and gorgeous. Great momentum.
Religious worship totem culture
India is a mysterious soil, and her breath and nutrients always produce an unparalleled and stunning work. Religion and civilization are endless here, and deification and legend are passed down from generation to generation. As Indians who advocate religious beliefs and natural creatures, some things related to Indian religion have become the favorite objects of jewelry designers. As a national bird of India, peacocks are one of them. In the religious story of India, the peacock is the eldest son of Shiva, the mount of the six-armed and four-armed god of war, is a sacred beast, and is deeply loved by Indians.
In 1963, the Indian government officially designated the Blue Peacock as a national bird. It is precisely because of this that peacocks and feather totems have become traditional elements in Indian-style jewelry design. At the same time, the blooming lotus in India is the design theme that Indian style jewelry likes. As the national flower of India, Lotus has become a symbol of the Indian spirit. Lotus is often mentioned in Hindu and Buddhist classics. Hinduism is a lotus flower. It is said that the Brahma king who created the world was born on the lotus.
Exotic style is coming back
In recent years, the rich Indian style of the jewellery industry has come back and modernized. Boucheron's Bleu deJ odhpur Jodhpur Blue Fine Jewelry takes a new perspective design, focusing on the old capital of Malwa, Rajasthan, using some unusual materials such as marble and sandstone. . The Plume de Paon (peacock feather) necklace is made of marble, using a heavy and hard material to make a light and flexible feather. This contradiction contrasts the boldness of Boucheron.
Cartier's AGRA necklace reinterprets the iconic fruit necklace, and the jeweler faces unimaginable craftsmanship to create a light, imperceptible platinum setting. The mysterious ruby, lustrous green emerald, clear sapphire and diamond buds form the traditional Indian plant shape, and the center is inlaid with a 37.37-carat Colombian emerald pendant, which gives off a rich and unrestrained tropical style. This piece can be worn as a necklace, choker or pendant to create three distinct styles.
The Budley MVSA Fine Jewelry Collection's Odyssey Dance Necklace is reminiscent of the exquisite and awkward movements of traditional Indian dance. The original design of these gems originated in Jaipur, India, accompanied by the discovery of a beautiful emerald from Zambia, the jewel in the middle of the necklace. The remaining 19 gems were searched from around the world and re-cut to make this gorgeous work: 9 pear-shaped emeralds (80.20 carats) of the main gemstones, and 13 pear-shaped emeralds in the second row ( 16.83 carats, 37 curved cut spinels, 26 turquoise, with 9 brilliant cut diamonds and pavé diamonds (8.88 carats) dancing on a gold base.
Piaget's new A My thical Journey series takes us on an Asian journey to India. 16 pieces of jewellery are masterpieces that combine superb gemstone inlays, using precious materials such as emeralds, sapphires, faceted sapphires and emeralds, as well as multi-faceted pink sapphires set in rose gold.
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